The Tallest Hurdle – Video Project – Nepal

Multimedia, My work, photojournalism, Travel, Video

In case you saw the trailer for The Tallest Hurdle and were waiting for the finished piece, or if you don’t even know what I’m talking about … you should have a look at this new video I recently finished! I shot everything on location in Nepal and I’m really happy with how it turned out. It is a difficult story to tell but very important, as these kinds of things often go. Below is a short story summary. Please also see The Tallest Hurdle photo essay.

In Nepal, it is surprisingly common to find children with severe burn injuries since villagers cook over unprotected fires in their homes. Both parents of a household may often have to work, leaving children unattended or under the care of a relative who may also have many responsibilities. Children can crawl or walk in to an indoor fire, or perhaps tug on something hot that is cooking. In smaller homes, children can even fall into a fire while sleeping, as was the case with Sujan Gautam, who lost most of his right hand from injuries sustained while sleeping. Fortunately, the Disabled Newlife Center in Kathmandu and similar organizations are providing support for people like Sujan and are working to challenge the stigma associated with disability in Nepal.
 

Yanobox Moods Review – Final Cut Pro X Plug-in for Color Manipulation

Gear, Multimedia, Tech stuff, Thoughts, Video

Yanobox provided me with their new color manipulation plug-in for Final Cut Pro X, called Moods. In this post I will review Yanobox Moods and tell you a bit about its pros and cons and why you might want to try it on your next Final Cut Pro X project.

First off, as always, this is an honest Yanobox Moods review for Final Cut Pro X, but I did want to make sure and mention that yes, Yanobox sent the Moods software to me for free. That said, I will still try to be objective in this review. Second, right off the bat, I like Moods because it is simple, easy, and user-friendly. The software does not necessarily go far beyond what is already built into Final Cut Pro X, but it is still useful, intuitive, and comes with some great color-correction/manipulation presets. I tested out Moods in FCP X on my new project, The Tallest Hurdle, which is about the surprisingly common trend of child burn injuries caused by accidents with cooking fires in Nepal.

What’s great about Yanobox Moods is that you can preview a preset by simply moving your mouse over the preset. You will see the visual effect on your selected clip without even having to click. That is slick. There are several options for presets in Yanobox Moods and Final Cut Pro X makes integration with the plug-in a breeze. Click on “Effects” while in FCP X and review the Moods preset options. Select a preset or start from scratch using the array of sliders and wheels that control everything from shadow color tones to gamma, exposure, and more.

What’s not so great about Yanobox Moods is that it seems to draw much more energy from the computer in order to render changes as compared to say, using the built-in color and exposure controls in FCP X. Other than that drawback, I can’t really find a reason not to use Moods, unless you are tight on money. Otherwise, for $50, it’s really not a bad deal at all.

If you liked this Yanobox Moods review for Final Cut Pro X, you want to see more reviews, or just want to disagree, go right ahead! Let me know what you think or send me a question. I will be reviewing another software plug-in for Final Cut Pro X soon – Singular Software PluralEyes for Final Cut Pro X – so stay tuned. Thanks for viewing.

Here is the Moods tutorial video, which is just an introduction by Yanobox that they put on YouTube for beginners:

 

The Story Behind the Photo | Quechua Women | Seattle Photographer David Ryder

My work, Nature, photojournalism, Still photography, Tech stuff, Thoughts, Travel

I thought it would be interesting or useful for some of my readers to hear the story behind one of my photos, so I decided to explain how the above image was made and what led up to it. It is one of my favorite images from a recent trip to Peru, where I shot a story, Legacy of War, about the decades-long internal conflict that saw approximately 70,000 lives lost. I traveled to Ayacucho, a city in the Andes, to investigate a tumultuous period in Peru’s history, which began in this town. After meeting and photographing many people directly affected by the violence of the 80’s and 90’s, I took a taxi into the hills above Ayacucho in order to make some photographs of the entire city – I needing something with more of a sense of place. I shot landscapes and wide shots of the city from above and I told our taxi driver in Spanish that I’d like to stop once or twice on the way back in order to chat with people in the fields and/or make photos. After a minute or two, I spotted two women sitting together in a beautiful pastoral scene. I told the driver to stop and I got out of the car with my girlfriend, Karlie, and we approached the women.

From across a large ditch, I yelled to them in Spanish, telling them that I am a journalist, I came from the U.S., I’m interested in the daily life of Ayacuchanos, and I want to chat with them and take their photo. They nodded as we climbed through the ditch and slipped and slid on the dry earth. Standing next to the ladies, the first thing that struck me was the size of their cheeks. Like chipmunks, they each had a giant wad of something stuffed into one cheek, and it took me a few seconds to realize that it must of course be coca leaves. As a Seattle photographer, this obviously isn’t something I get to see or photograph often. They smiled as I talked to them in Spanish and I noticed just a few teeth in those smiles. One woman was spinning yarn while we sat, and I’m not quite sure if it was llama or alpaca or neither. I listened to a few very thick and difficult Spanish words that the woman spoke to me, saying to me that she understood some Spanish but spoke only Quechua. We laughed as she asked me a few things in Quechua, to which I could only reply “no sé,” … “I don’t know” in Spanish.

I told them to just carry on as if I were not there, and then I walked behind them to capture the beautiful hills in the background behind them. The two cows in the left of the frame mirrored the two women spending the afternoon together, and the picture came out quite well. It felt calm and quiet, with just the right colors and tones. I wanted to shoot the image at f/1.4 to make the background blur significantly, but with the Canon 50mm lens that I have it can be a pain to keep the subject in focus. I snapped a few quick frames before saying goodbye, and only one of these frames was decently in focus. With a bit of luck, as usual, I was able to meet a couple of people in a really cool scene and make a photo out of it. Once I got home, I didn’t hardly do anything to the photo in Lightroom or Photoshop except perhaps bump the contrast and saturation up just a bit. Thanks a lot for looking and stay tuned for more.